入围塔林电影节影评人之选竞赛。
  Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016),还免费提供剧情片似是而非的我们在线观看,还同时提供似是而非的我们剧情介绍、演员表、上映时间、上映地区、视频图片等影片信息。" />

似是而非的我们 HD

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分类:剧情片 其它 2022

导演:江·罗伯斯·拉纳   

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《似是而非的我们》剧情详情

《似是而非的我们》是江·罗伯斯·拉纳  导演,演员由Romnick Sarmenta  伊利亚·坎拉斯  主演的一部超级经典的剧情片片,该剧讲述了:

  入围塔林电影节影评人之选竞赛。
  Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)

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影片:似是而非的我们

全名:似是而非的我们电影免费在线观看完整版

电影类别:剧情片

连载状态:完结

发行年份:2022

首映地区:其它

导演:江·罗伯斯·拉纳

演员:Romnick Sarmenta,伊利亚·坎拉斯

更新时间:2024-01-29 01:23

《似是而非的我们》电影的主要内容

《似是而非的我们》是一部剧情片电影,由导演:江·罗伯斯·拉纳执导,主演:Romnick Sarmenta,伊利亚·坎拉斯,

  入围塔林电影节影评人之选竞赛。
  Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)

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