The least-seen of Mackendrick’s Ealing pictures, The Maggie tells an unusual story of a culture clash between the Old and New Worlds. Its title is the name of a decrepit Scottish vessel whose wily captain blackmails an American tycoon into using his ramshackle boat to move valuable furniture to an island mansion. Mackendrick's precursor to Local Hero applies an almost anthropological interest in the vestiges of village culture in the postwar world to establish an irresolvable dichotomy between Yankee pragmatism and materialism and the penurious charm and superstitions of the islanders,还免费提供喜剧片孤立无援1954在线观看,还同时提供孤立无援1954剧情介绍、演员表、上映时间、上映地区、视频图片等影片信息。" />
The least-seen of Mackendrick’s Ealing pictures, The Maggie tells an unusual story of a culture clash between the Old and New Worlds. Its title is the name of a decrepit Scottish vessel whose wily captain blackmails an American tycoon into using his ramshackle boat to move valuable furniture to an island mansion. Mackendrick's precursor to Local Hero applies an almost anthropological interest in the vestiges of village culture in the postwar world to establish an irresolvable dichotomy between Yankee pragmatism and materialism and the penurious charm and superstitions of the islanders
,同时青柠影院提供电影孤立无援1954全集高清未删减完整版在线观看,孤立无援1954手机免费观看,青柠影院从互联网自动 收集了精彩电视剧《孤立无援1954》片源供广大影视爱好者分享,请大家支持正版电视剧。,想看更多的相关影视作品,请收藏我们的网站:http://www.kopadator.com影片:孤立无援1954
全名:孤立无援1954电影免费在线观看完整版
电影类别:喜剧片
连载状态:完结
发行年份:1954
首映地区:英国
导演:亚历山大·麦肯德里克
演员:保罗·道格拉斯,Alex MacKenzie,,James Copeland
更新时间:2023-12-20 17:10
《孤立无援1954》电影的主要内容
《孤立无援1954》是一部喜剧片电影,由导演:亚历山大·麦肯德里克执导,主演:保罗·道格拉斯,Alex MacKenzie,,James Copeland,
The least-seen of Mackendrick’s Ealing pictures, The Maggie tells an unusual story of a culture clash between the Old and New Worlds. Its title is the name of a decrepit Scottish vessel whose wily captain blackmails an American tycoon into using his ramshackle boat to move valuable furniture to an island mansion. Mackendrick's precursor to Local Hero applies an almost anthropological interest in the vestiges of village culture in the postwar world to establish an irresolvable dichotomy between Yankee pragmatism and materialism and the penurious charm and superstitions of the islanders
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